[์ธ๋ฌผ/์ž‘๊ณก๊ฐ€] ์šฐํšจ์›, ๊ตญ๋ฆฝํ•ฉ์ฐฝ๋‹จ ์ „์ž„ ์ž‘๊ณก๊ฐ€

[์ธ๋ฌผ/์ž‘๊ณก๊ฐ€] ์šฐํšจ์›, ๊ตญ๋ฆฝํ•ฉ์ฐฝ๋‹จ ์ „์ž„ ์ž‘๊ณก๊ฐ€

์ž‘๊ณก๊ฐ€ ์šฐํšจ์›

HYO-WON WOO, profile

 

<Short Version>

ํ•œ๊ตญ์ ์ด๋ฉด์„œ๋„ ์ƒˆ๋กญ๊ณ  ํ˜„๋Œ€์ ์ธ ํ•ฉ์ฐฝ์Œ์•…์œผ๋กœ ๊ตญ๋‚ด,ย ์™ธ์—์„œ ํญ ๋„“๊ฒŒ ํ™œ๋™ํ•˜๊ณ  ์žˆ๋Š” ์ž‘๊ณก๊ฐ€ ์šฐํšจ์›์€,

์„œ์šธ๋ ˆ์ด๋””์Šค์‹ฑ์–ด์ฆˆ,ย ์ธ์ฒœ์‹œ๋ฆฝํ•ฉ์ฐฝ๋‹จ์˜ ์ „์ž„์ž‘๊ณก๊ฐ€๋ฅผ ๊ฑฐ์น˜๋ฉฐย 20์—ฌ๋…„ ์ด์ƒ ์ƒˆ๋กœ์šด ํ•ฉ์ฐฝ์Œ์•…์˜ ๋ชจ๋ธ์„ ์ œ์‹œํ•˜๋Š” ์ž‘์—…์„ ๊ณ„์†ํ•ด ์™”๋‹ค.ย ๊ทธ์˜ ์ž‘ํ’ˆ๋“ค์€ย 2009๋…„ ๋ฏธ๊ตญย ACDA NATIONAL CONVENTION ,ย ํ”„๋ž‘์Šคย POLYFOLIA์™€ย THE IFCM CHORAL SYMPOSIUMย ๋“ฑ์—์„œ ์ตœ๊ณ ์˜ ์ฐฌ์‚ฌ์™€ ๊ธฐ๋ฆฝ๋ฐ•์ˆ˜๋กœ ์„ผ์„ธ์ด์…˜ํ•œ ๋ฐ˜์‘์„ ์ผ์œผํ‚ค๋ฉฐ,ย ์ „ ์„ธ๊ณ„ ํ•ฉ์ฐฝ์ธ๋“ค์—๊ฒŒ ์‚ฌ๋ž‘๋ฐ›๋Š” ๋ ˆํผํ† ๋ฆฌ๋กœ ์ž๋ฆฌ ์žก์•˜๋‹ค.

์„œ์šธ์ฝ”๋Ÿฌ์Šค์„ผํ„ฐ์™€ ๋ฏธ๊ตญย WALTON MUSIC, HAL LEONARD,ย ํ”„๋ž‘์Šคย EDITIONS A COEUR JOIE๋ฅผ ํ†ตํ•ด ๊ทธ์˜ ์ž‘ํ’ˆ๋“ค์ด ์ถœํŒ๋˜๊ณ  ์žˆ์œผ๋ฉฐ, 2016-17๋…„ ๋ฏธ๊ตญย UNIVERSITY OF MICHIGAN์˜ ์—ฐ๊ตฌ๊ต์ˆ˜๋กœ ์žฌ์งํ•˜๋ฉด์„œ ๋ฏธ๊ตญ ํ•ฉ์ฐฝ๋‹จ์„ ๋น„๋กฏํ•ด ํ”„๋ž‘์Šค,ย ์ธ๋„๋„ค์‹œ์•„ ๋“ฑ ์„ธ๊ณ„์˜ ๋งŽ์€ ํ•ฉ์ฐฝ๋‹จ๋“ค๊ณผ ์ฐฝ์ž‘ ์ž‘์—…์„ ํ•ด์™”๋‹ค.

ํ˜„์žฌ ํ•œ๊ตญํ•ฉ์ฐฝ์ž‘๊ณก์•„์นด๋ฐ๋ฏธ์—์„œ ๋งŽ์€ ํ•ฉ์ฐฝ ์ „๋ฌธ ์ž‘๊ณก๊ฐ€๋“ค์„ ์–‘์„ฑํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, 2018๋…„๋ถ€ํ„ฐ ๊ตญ๋ฆฝํ•ฉ์ฐฝ๋‹จ์˜ ์ „์ž„์ž‘๊ณก๊ฐ€๋กœ ํ™œ๋™์„ ์‹œ์ž‘ํ•˜๋ฉด์„œ ์œค์˜์ค‘ ์Œ์•…๊ฐ๋…๊ณผ ๊ตญ๋ฆฝํ•ฉ์ฐฝ๋‹จ์„ ํ†ตํ•ด ๋”์šฑ ๋‹ค์–‘ํ•˜๊ณ  ์ƒˆ๋กœ์šด ์ž‘ํ’ˆ์„ธ๊ณ„๋ฅผ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค.

-ํ˜„ ๊ตญ๋ฆฝํ•ฉ์ฐฝ๋‹จ ์ „์ž„์ž‘๊ณก๊ฐ€

-ํ˜„ ์„œ์šธ์ฝ”๋Ÿฌ์Šค์„ผํ„ฐ,ย ๋ฏธ๊ตญย Walton Music, Hal Leonardย ์ถœํŒ ์ž‘๊ณก๊ฐ€

-ํ˜„ ํ•œ๊ตญํ•ฉ์ฐฝ์ž‘๊ณก์•„์นด๋ฐ๋ฏธ ๊ต์ˆ˜

-ํ˜„ ํ•œ๊ตญ๊ตํšŒ์Œ์•…ํ˜‘ํšŒ ์ด์‚ฌ

-Seoul Ladies Singersย ์ „์ž„์ž‘๊ณก๊ฐ€ ์—ญ์ž„

-์ธ์ฒœ์‹œ๋ฆฝํ•ฉ์ฐฝ๋‹จ ์ƒ์ž„์ž‘๊ณก๊ฐ€ ์—ญ์ž„

-University of Michiganย ์—ฐ๊ตฌ๊ต์ˆ˜ ์—ญ์ž„

-์„œ์šธ์‹ ํ•™๋Œ€ํ•™๊ต,ย ํ•œ์„ธ๋Œ€ํ•™๊ต ์™ธ๋ž˜๊ต์ˆ˜ ์—ญ์ž„

 

 

HYOWON WOO

ABOUT THE COMPOSER

 

One of Koreaโ€™s most prominent composers, Hyo-Won Woo has emerged as a formidable voice in choral music.ย 

Her groundbreaking works blend traditional Korean musical elements and Western technique, and include settings of the Latin text, playful spatial music, and arrangements examining wordless human encounters.

Ms. Woo is currently composer-in-residence with the National Chorus in South Korea. She was composer-in-residence with the Seoul Ladiesโ€™ Singers since 1996, and with the Incheon City Chorale, led by Hak-Won Yoon, from 1999-2014.

For over twenty years, the collaboration between Ms. Woo and Mr. Yoon has forged a new path for choral music in Korea.

Ms. Wooโ€™s works are highly sought after worldwide and have been critically acclaimed at the 2009 ACDA National Conference, Polyfolia in France, and the IFCM choral symposium.ย 

Ms. Woo is faculty at the Chorus Center Academy in Seoul and has taught choral compositions at various universities in Korea and was most recently a visiting fellow at the University of Michigan.ย 

Her works are published by Walton Inc., and Hal Leonard in the United States and Seoul Chorus Center in South Korea.